1001 films you must see before you die- Part VI: 1950-1954

Orpheus (French: Orphée) is a 1949 French film directed by Jean Cocteau and starring Jean Marais. This film is the central part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1949) and Testament of Orpheus (1960).
Set in contemporary Paris, the movie is a variation of the classic Greek myth of Orpheus. At the Café des Poètes a brawl is staged by acolytes of the Princess (Casares) and the young poet Cègeste (Edouard Dermithe), the rival of Orpheus the poet, is killed. Cègeste is taken to the car of the princess by her associates, and Orpheus is asked to accompany them as a witness. They drive to a chateau (the landscape through the car windows are presented in negative) acompanied by abstract poetry on the radio.






The dark urban world of The Asphalt Jungle is one of the essential destinations in film noir, but be warned: despite tough guy Sterling Hayden's dreams of bucolic escape, there is no way out. John Huston directed this superbly calibrated crime classic, which displays his usual wry appreciation of fringies and down-and-outers. This time the task for Huston's eccentric ensemble is a jewel robbery, which--this being a Huston film--can't possibly work out as well as its plan. The cast includes Sam Jaffee, indelible as a criminal mastermind, and the pre-stardom Marilyn Monroe. Hayden plays the kind of mug he would revisit in Stanley Kubrick's The Killing, which is an informal homage to this film. And the film's look is definitive: both artful and gritty, it creates a noir landscape that traps its people just as surely as the tar pits trapped the dinosaurs. No wonder they call it noir.